Saturday, April 23, 2022

THEN AND NOW, YOU

A Gen Xer, you feel fortunate to have witnessed the evolution of digital media all these years.

In the 1990s, you began learning how to operate a computer and begin typing into the green screens using WordStar, WordPerfect, and Fox Database.

You used large floppy diskettes to input—encode—process and print your thesis using the Dot Matrix printer in your school paper’s office.

In the 2000s, you began e-mailing your friends and families a lot and watching trailers and movies on YouTube until the wee hours. You also began blogging, finding so much fun in embedding images and photos onto your essays and blogs that you published on multiply.com or blogger.com.

In the 2010s, you sent videos, too, via your e-mails and shared news, photos, and videos with your friends on social media. You also looked forward to how the videos would stream into your news feed on Facebook and Twitter accounts.

You also joined LinkedIn, Instagram, and Vimeo, among many others, now being so overwhelmed by so much information just using your handheld gadget. You also joined and maintained accounts on Goodreads and Tumblr. For you, the sleek layout of photos and Tumblr was indispensable.

In the 1990s, you went to computer laboratories to encode your academic projects—and the dreaded senior thesis in your university. In the 2000s, you needed to contact your internet service provider so they could fix your company’s troublesome internet modem.

And in the 2010s, you would have to be hooked on a good Wi-Fi if you were to video-stream and witness Pope Francis’s visit to the Philippines outside the country’s capital of Manila in real-time.

All these multi-modal conveniences, through the years, have reinforced any information that you consumed. They have leveled up your interaction and you have become a more learned person owing to these affordances—but most importantly, they have also allowed you to produce knowledge that you can now share with the rest of the world.




#DigitalEvolution
#GenerationXer
#ThenAndNow

Wednesday, April 06, 2022

Anthems of Our Youth, Now Rare

With the Internet, I could just randomly easily find the rare songs of my youth. 

Recently I found that Spotify has the album “Dreams” by Fra Lippo Lippi, which came out in 1992—thirty years ago.

 

FLL is that Norwegian new wave duo whose songs played on local FM stations were just easy to listen to. 

 

At the time, we, members of the graduating class of Ateneo de Naga High School, were all excited about graduating. 

 

Sometime in March of 1992, in spending the last days of our high school, having our clearances signed by our teachers and the offices where we spent four wonderful years of learning, waiting for awards announcements, or having our autographs signed by each other in our classic long manila folders, I remember how we also sang to “Stitches and Burns”.

 

The “Dreams” album provided such unforgettable anthems of our youth—“Stitches and Burns” and “Thief in Paradise”, among others. It was a hit in those days—enjoying ample airplay on the local FM stations, that we just found ourselves singing: 

 

“Now I don't want to see you anymore/ Don't wanna be the one to play your game/ Not even if you smile your sweetest smile/ Not even if you beg me, darling, please.”—as if we knew them for a long time. 

 

When my classmate Gerry Brizuela bought a copy and brought it to class, many of us wanted to borrow it. Eventually, I was lent the copy and listened to my heart’s content on my brother’s cassette player. 

 

While “Stitches and Burns” and “Thief and Paradise” were the easy favorites because they were the ones first played over the radio and shown on MTV, and probably because of their upbeat tunes, I got to like “One World”, and particularly “Dreams,” the titular single, which is one of the many tearful cuts in this rather dolorous album.

 

Some years earlier—beginning school in 1988, I grew up listening to FLL’s early hits like “Light and Shade” and “Angel” being played from our cousin Glen’s room next to ours.

 

I grew up listening to and eventually mouthing the lyrics of “Every time I See You”, “Shouldn’t Have to Be Like That,” or “Some People”, among others—while reviewing for the Algebra exam of Mr. Rey Joy Bajo or reading the Gospel Komiks for Miss Cedo’s Religion class or making the Social Studies project under Mrs. Luz Vibar.

 

But during my senior year in high school, the songs in Fra Lippo Lippi’s “Dreams” album sounded different but I liked them all so much. 

 

I wonder why I felt so good listening to these songs. I wonder why my heart seems to sing, too, when the songs of any singer all seem to be crying. Why have I, all this time, always taken delight in these lyrics: “How many rivers to cross—/ Tell me how many times must we count the loss/ Did you see the face of the broken man, head in his hands?”

 

Why have such sad songs thrilled me so much—that I cannot get enough of them; or that I would rather choose to listen to them than the others: “Open your eyes to the world/ Light the light for the ones who are left behind/ Love is in need of a helping hand/ Show us the way?”

 

“Once in a while, you feel like you’re on your own/ And nothing can keep you from taking a fall/ Like there’s no way out/ Hold on to your dream...”

 

“It’s all I’m thinking of/ It’s all that I dream about/ It’s right here with you and me/ and still it's so hard to see/ still finding my way... still finding my way…my way.”

#FraLippoLippi 

#HighSchool 



#HardToFind  

#NewWave  

#Rare

 

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